休息する雲 テンペラ 1990年代 / The cloud’s taking a rest. tempera
I've already written it several times、With the end of the lifelong learning course at the university、To remove everything from the classroom、First, I'm organizing the pictures.。While there are pictures I want to keep,、There are quite a few pictures that I don't want to keep.。
I’ve been sorting my paintings out for one month. It’s a preparation to remove it all until the lastday of our painting course of College longlife leaning center. There are some works I want to keep or not.
The picture I want to leave behind is、Still an original image、style、Technology is the content、Or something that is a process that leads to that.。Of course, of course.、I reaffirmed that this is my view of art.。
What are the works that I’d like to keep? It was made of original images, concept, original technic etc, and the process for completed one. In a way, it is natural. I got a new understanding of my own view of arts.
This picture was drawn over 20 years ago.。like a human、You'll get tired if you just float above the clouds.。Sometimes I rest on the ground、After you recover, you can ascend to the sky again.、That's the image。The cloud series lasted about 10 years.。It's a sweet picture though、Even now, there are things that appeal to me to some extent.。
This was painted more than 20 years ago. This concept is that a cloud will be tired such as staying in the sky everytime, so he should take a rest a bit on the ground. After refreshed out he’d better to take off again. This series was continued about 10 years . This work seems not so cool, but it mekes me move a little even now. 2012/3/1
Sometimes I get comments on this blog too.。I'm not ignoring it though、Not much has been published。that's why、From the perspective of those who commented、No wonder it feels like almost complete silence.。
I got some comments to this blog sometimes. Of cours I ‘ve read all of it, but I haven’t open to the web. So, It is easy to think that YOUR coments has been disregarded.
Most of the comments are people I know, so that's okay.、Regarding comments from people who sometimes seem to be foreigners,、think for a moment。Even without announcing it、I wonder if he's reading it? I wonder if I can give a similar response.。
Mostly of them are Japanese, but there are some people who may be foreigners I guess. Somehow I’d like to reply to them without open to the public. But, how?
Just write in English。That's what I thought、pull out a dictionary、If you write while reading a grammar book, you won't be able to understand it anyway.、I thought it was meaningless (actually, I still do)。But、Even if the meaning is a little unclear, I just want to convey my feelings somehow.、Lately I've started to think。Although I struggle with wanting to hide the embarrassment of my English.、It can't be helped because that's the reality、I also think。
So I ‘d like to write my blog in English as possible as I do, althogh I’m not good at.
So、I decided to add some bad English (maybe from time to time).。Those who are fluent in English、Please point out how to improve my English.。Thank you。
The final nude production at the university ends this week.。for over ten years、Thank you to many models。I would like to thank you from the bottom of my heart.。The participants also drew with great enthusiasm.。I would like to express my sincere gratitude to all of you.。Only once in a lifetime、We spent an irreplaceable time together.。
Also、I have received many requests from many people to continue receiving my guidance.、I feel grateful.。A well-organized environment like a university is difficult to obtain outside.、I think there will be some difficulties in the future from an environmental perspective.、In some respects, I also have hopes that I will be able to push forward my ideas more frankly.。
Aside from the debate about whether painting should be taught or not.、What do the participants want?、what I thought about it、I would like to briefly explain what I am going to do next.。Actually, there are parts of me that are confused and uncertain.、Even if I state it categorically here and now,、Please read this with the understanding that there are many possibilities for changes in a direction that you think would be better.。
20I taught painting classes for many years.、At first, it was all a matter of fumbling around.。I have no experience as a teacher either.、just my own、I just expressed my view of painting as is.。Speaking of which, it gives a messy impression.、A raw painter's egg is a mystery、If you look at it from the perspective of the fact that we rarely have the opportunity to seriously look at things going from side to side,、It may have provided some valuable experience.。But ok、As a lecturer, my vision is unclear.、I would have failed at first.。
Although I have not yet digested “painting techniques and knowledge”、I've tried to convey it as much as possible.。No matter what your hobby is、Each painting material is a real thing with its own physical characteristics.、If you don't take advantage of it, you will not only end up spending unnecessary effort and wasted money, but also、The result is that the work itself is reduced to a more miserable state.。Furthermore, geniuses of all ages have created、There is a risk of denying the very history of the technical accumulation of painting.。
It's a university course.、I thought it would be a bit lonely if it was just a matter of drawing well.。In fact, it's okay if you can't draw well.、Fascinated by art through learning techniques、Thoughts on those who sometimes fell victim to art.、What if we could deepen our understanding of figurative expression?、Isn't it also enriching oneself in terms of education?。That was half the purpose of my "technical guidance"。Specifically, this includes things like copying and classical techniques.。In terms of the history of painting, copying can be said to be the study of painting itself.、You are not misguided.。I still think it would have been a good idea to create a class that was all about copying.。Things like general "art history" are beyond my ability.、I intend to stay within the scope of technology.。
For all participants、It is natural to have a desire to be able to draw a little better or to be able to draw pictures that you can be proud of to others.。This is a "painting course", not an "art history" course.。We provide specific technical guidance on production.、It's natural to seek that。Assuming various cases、the easiest、I have devised various ways to do this in my own way.。Examples include ``1.2.3 step method'' (oil painting) and ``composition with emphasis on light and shade'' (watercolor).。More than half of the purpose of technical guidance is spent on this.。
But、There are probably only a few people who have achieved satisfactory results (actually everyone has leveled up)。But the results won't be able to keep up with the desired speed.)。There are varying degrees of、Minimum time needed to learn technology、has economic costs。There were times when my body couldn't keep up with what my mind could understand.。I need more time than I did when I was younger.、reality is harsh。
Our basic thinking will continue to remain the same.。I don't think that the methodology up until now is wrong.。Still, from direct technical guidance for "sketching-like drawings" to "painterly" drawings.、I would like to see them shift their focus even further than they are now.。No one can deny "sketches"。Apparently, the questioner thinks that "the concrete result of sketching" brings fun.、Paintings are not just sketches.、bigger、widely、It's something I deeply enjoy。And I think the most important thing is to be myself in that.。While maintaining independence as a painting (beyond mere smugness)、I want to be able to preserve the crystallization of each person's life in the form of a painting.、I hope it will help you with that.。
It is the result, not the premise, that allows us to say, “It doesn’t matter if it’s bad.”、i am thinking。each、Leave a masterpiece behind as proof of your life (if it's not a masterpiece, it won't survive!)。I would like to make that my goal.。 2012/2/18
