Month: March 2022

Broadly speaking, modern paintings are、First, it can be divided into concrete and abstract (in very general terms)。More figurative drawings、landscape painting、Still life paintings can be divided into three genres:。The people in my class seem to like drawing people.。

Even if you say it's a portrait painting,、The content and style vary considerably depending on the author.。first、The type who is interested in portraying the personality of the target person.。I think there are two other types that are drawn as dolls (Hitogata), which means "human".。There are many people in the former type who are confident in their descriptive ability.、I feel like there are many people in the latter group who prefer romantic expressions of their feelings.。Paintings where all the people depicted have the same face can be considered to be of the latter type.。

When sketching people, everyone focused on the model.、make it a scene。That in itself is a precious and happy time.、What I wonder about is what happened after that.。I always find it strange that almost no one draws people other than models.。Gain know-how on figure drawing by sketching models、So, the purpose should be to draw the person you really want to draw, the way you want to draw it.、I just don't feel that way.。Where on earth does that concentration come from?。

It is often said that ``(drawing) people is difficult.''。That's true though、So, are flowers and landscapes easy? That's not to say.。People who take good care of their flowers can draw convincing flowers.、I can draw equally well the land I know well.。given that、There's no way we can't draw portraits of people because we see people so much every day that we hate them.、It should be。But...。for young children、mother、Dad is by far the best subject。Flowers aside、I don't pay attention to landscapes or still life.。Children feel the same way、I wonder what it would be like to draw your grandchild.。

カメラやモニターなど視覚機器には「解像度」という用語がある。簡単に言えば画面の密度。高いほうが画面鮮明と、おおざっぱにイメージすればよい。解像度を上げれば画面はきれいで滑らかになるが、そのぶん他の機能に負荷がかかるので、なんでもかんでも解像度を上げればいいというわけではない。

But、ここでのそれは（自分の）「頭の解像度」。もう少し上げたいなあと。That much、他に多少のしわ寄せがきてもやむを得ない。

これまで「低解像度」で過ごしてきてもべつだん不都合を感じなかった。それはたぶん特に何も求めてこなかったことの裏返し。のんのんと自己満足に浸ってきたということになるのだろう。なにか具体的なことを達成しようとすれば、ある程度きちんとした理解が必要になる。たんに流れを理解するだけでなく、実際にテストし、失敗を検証する場合もあるだろう。それらのひとつひとつが不鮮明では、結果にも確信が持てなくなるのは当然だ　。

そこまで構えなくても、one by one、ピンと理解していきたいものだなあ、という願望（希望）がある。最近視力が弱くなってきたことと反比例の感覚があるのかもしれない。「こんなにぼんやりしているのを、今まで見えた気でいたなんて怖いな」。

今日は水彩で篭を描き、撮影の練習もしてみた。絵を描くのはいいとして、I'm not good at photography etc.。Although I use a camera, I don't have much interest in the camera itself.、したがって知識も薄い。いい加減に使うから結果もそれなり。だから興味が湧かない・・・の悪いループにはまり込んでいる。自分にとってカメラを使うことは必須なのだから、興味云々ではなく知識・体験を得ることも必然なはず。なのにそうしてこなかった。逃げていたのだ。

いまさら、Although、Based on the average lifespan of Japanese people, there is a possibility that they will live another 10 years.。How many years out of those 10 years will it take?、I'm not sure if I'll be able to acquire proper photography knowledge though.、I feel like I'll probably have more fun if I do that.。It's really too late now。I didn't even realize that my butt was on fire、it disappears、It's so burnt that it's almost turning into ashes、I finally notice this dullness。It's been 20 years since someone told me, "You realized it too late."。

What I'm not good at is filming (especially during production).、一つには「描き方をカメラに合わせる」からだ。写真では紙をテーブルに貼り付けてある。カメラが固定されているから、それに合わせているわけだ。普段はこんなことしない。紙は上下左右、その時々で描きやすい方に傾け、回転させながら描く。水平にしたり、I also lean it up.。Just fix the paper and it will look like、I feel like a criminal on a crucifixion table。

I usually shoot with 2 or 3 cameras.、It seems like they use cuts from good angles at the time.。However, I only have one (maybe two if you include a smartphone?)、Above all, it's small and there isn't that much space.、Whining like that won't work anywhere。- Secure it at any cost if necessary - It's certainly as I said.。I'm sorry.。
But oh well、Even if I couldn't shoot well、It gave me an opportunity to draw one anyway.。At that point、chonchon。