Mr. S from the watercolor class gave me a few pomegranates.。Not for eating, but as a motif for the painting。It would have been fine for a single one、Pomegranates with branches are better。I've tried drawing about three of them anyway、I've always wanted to draw pomegranates this year、I'm not very satisfied。
This sketch is purposely cheap、I draw with a slightly fluttering nylon brush。Because I wanted to give it a rough look。Of course, it's good to use high-class brushes、There is also a downside that it is too beautifully done.。Beautiful colours are good、If that is linked to a bit of roughness、I thought it would make it even more lively。
It seems that there are few areas in Japan that have a habit of eating pomegranates.。The real is small、Maybe it's because they don't like acidity either。I've never seen them sold at supermarkets.。South Asia、It is often seen in stalls in the Middle East。Processed into juice、It seems like they'll eat it as is、After all, it's several times larger than in Japan, so it's sure to be very satisfying.。
Pomegranate is apparently Pomegranate in English.。Pome is an apple。Maybe it's like an apple。The original meaning of granete is "seed."。Probably because it has a lot of seeds。However、Nowadays, many people may think that Granate is a "grenade."。After the 20th century, the war-heavy、I think this is more frequently used。Pomegranate color is Garnet、The Japanese name is garnish (color).。It's a color that's close to magenta。
This is a work from the Wednesday oil painting class.。There are only three people、三人ともそれぞれ個性的で良いと思います。better than drawing well、I think it's wonderful that you are expressing things that are closer to your inner self (even if you don't intend to).。
In the case of Mr. T、He said, ``How should I proceed from here?''。Me: ``There's nothing more to draw.''。まだ描き始めたばかりで、Apparently he was planning on drawing it from now on.、It must have felt like a bit of a letdown.。 actual、作品を拡大して見て頂ければ解りますが、With a carefree touch、Matches the unpretentious colors、It's in perfect condition。But、There are very few explanatory elements、What kind of tree is it exactly?、What kind of grass is it?、It depends on the imagination of the viewer.。Instead of saying "a tree without branches," you're saying "you should try adding branches."。Are you someone who enjoys a feast that is all set on a plate?、I'm a person who likes flavors that I can somewhat customize myself.、The rating for this work will change completely.。This work is a choice that does not pander to the evaluation.。
in painting、For example, if you draw an apple as a motif、①What kind of apple is that?、By describing the state of、Highlight the author's skills, etc. ② How did the author perceive the apple?、There are two ways to express the author's sensibilities (one cannot be said to be correct).。① is、rather classic、traditional way of looking at things、It's a way of thinking、② belongs to more modern expressive thinking.、It is common to think that。 My interest in painting is、Basically in ②、After that, what is painting for me?、Creating a new world image "just on the surface of the screen"。That being said、It sounds like a lot of exaggeration, but、Not so、The coloring of the paint on the screen and the touch itself are the essence of painting.、That means。Also、``On the surface only'' does not mean that ``the author's inner state and process'' are of no concern.、Thinking about color development、For color selection and brush strokes、This means that the author's experiences, thoughts, and state of mind and body are already reflected.。 At the same time、It also describes the completeness of visual perception called the screen.。What was written by a respectable person in the world、I'm just saying that it has nothing to do with painting quality.、The mass media (especially in Japan) are more particular about this, so you need to be careful.。Caravaggio, the master of classical painting,、Wanted as a murderer、While on the run, he left behind a masterpiece.、Japanese mass media、As a "murderer"、His achievements in painting will no longer be considered.。Apart from this、It's that simple。 The choice between ① and ② is not just a matter of will.、The person's social environment and personal interests and preferences during the growth process、Various factors such as physiological conditions are involved.、Changed from ① to ②、It can also be the opposite、I have no trouble giving examples.。
Mr. H.K.'s work is concrete.、Anyone can understand what is depicted。But、It doesn't matter what is depicted、I hope you can feel H.K.'s special "tranquility" throughout this whole thing.。It's a type of lily.、遠近法がどうだのと言っているようではそこへはたどり着けません。そういう説明をスパッと捨てていることが「経験の力」なのです。 K・Sさんの作品は、枯れかけた草むらの一隅をクローズアップしたような画面です。そのまま描いたような、または抽象化されたような、どちらとも言い難い画面ですね。具体的、ありふれたなものも、見る距離や見方が違えば、これまでと違う世界が現れてくる、と作者は感じ、考えているわけですね。その感じ方、考え方を、できるだけ簡潔に表現するとしたら、あなたはこういう表現法以外にどうしますか？と見る人に（自分自身にも）問いかけてもいるわけですね。 そういうことが意識化されているという意味で、3点ともかなり高次元の作品だと、わたしは思っています。残念なことは、作品が高次元になればなるほど、一般の人から離れ、評価を失っていくのが現状です。いたるところで素晴らしい感性を示す日本人なのに、芸術などに関しての国民的な教養がそれに釣りあっていない、と日々感じています。Apparently, the questioner thinks that "the concrete result of sketching" brings fun.、個々の力ではどうすることもできません。
