
Apart from the casual watercolor sketch exhibition, this will be my first solo exhibition in three years.。While planning every year、It's been 3 years since I canceled twice.。Of course, that doesn't mean I didn't create anything during that time.、I really didn't feel like having a solo exhibition.。Even if you come this far、I still feel like I want to stop。The other half is interested in myself。
"Shelter Man" was produced before the Great East Japan Earthquake.。From the word shelter、It reminds me of images from the nuclear power plant accident.、unrelated。my personal、I would like to emphasize again that this was created from everyday sensibilities.。
Recent major works include ``Screaming Man'' (2008), ``Tatsumaki no Man'' (2009), and ``Shinsei No. 5'' (2010).、Connected to "Shelter Man" (2011.A different work from DM)。I think what I'm drawing is a portrait of a giant man (probably myself) or the state of existence.。
In ``The Screaming Man,'' it is not human ``words.''、I drew it because I wanted to scream as a human "voice".、In “Tatsumaki Man” even before drawing、Even while I was drawing it, a huge itch was growing inside me.。What is grotesque in “New Life”? I thought about this by looking at my own physical changes (including aging).。and "shelter"。
The primary meaning of "shelter" is, of course, "a cloak/structure for protection."。The premise is that you must be aware that you are a weak creature.。but、Then the giant、Doesn't this contradict the image of a grotesque and violent "man"?
In Japanese folklore, a giant man named ``Oni'' has horns.、My whole body is red or blue、Moreover, it has a hairy and grotesque appearance.、There is a ``personality'' that possesses ferocious and frightening power that is beyond the reach of humans and animals.。There are many stories about young girls being sacrificed.、There are many stories of him valuing the girl more than his own life.。If you just look at that area、Maybe the person I'm drawing is a man?、Actually, I feel it myself。The shape of Nebuta, my hometown of Aomori, also provides an interesting perspective.。
but、It's called a reinforcement meeting.。I didn't create it with Nebuta in mind.、It's not like I studied folktales from around the world and then changed my ideas.。Daiichi、I won't be able to maintain my own reputation if I try to add meaning to things like that.。If you're a man (because you're a man), it's sad.、I sympathize with。It is through this empathy that we are connected to the “new birth.”。(I call a beautiful woman a man in my heart.。Probably whitening、Beautiful skin is the result of many sacrifices made on the other side of the world) I am drawing from my own history.。drawing the history of one's existence。The reason I am a little different from other painters is that、I'm sure there's a reason for that、I've been thinking lately。
*If the beautiful woman is a man、I am paradoxically confused as to what I am.。the world is troublesome。
Exhibition:at Gallery Keifuu/minami-kosigaya/ phone 0489-89-1899 /11am to 6pm Come on, and talk with me.

