You can't catch fish with this

"Babysitter" Watercolor

It became a mysterious picture.。in a bad way。Originally, this place was a somewhat unrealistic scene (it was actually somewhere in Tokyo), but it was a mysterious scene.、Even if I tried to make it easier to understand by adding some logic to it,、The suspicious atmosphere did not go away (of course it is okay to have a suspicious atmosphere itself)。

A person who draws a picture must understand all the motifs before drawing.、I'm not trying to say something that's unlikely to happen, but、Don't be so confused。What I don't understand、Because I'm drawing without understanding、This is also conveyed to the viewer.。

at the very back、a child is standing alone。Is that the bellybutton in this picture?。Composition、be in the perspective focus of the screen。Front left、with the two on the right、The viewer's line of sight zigzags (should) lead to this belly button.。With this mechanism、I'm sure many people will want to see this child's face.。The calculation formula was good, but、Each element is ambiguous。You can't catch fish with this。

blue persimmon

Persimmons are often the subject of paintings.。Arts and crafts for elementary and junior high school students、From art classes to productions by amateur painters、With easily available art supplies、What's more, it comes with the added bonus of being able to finish it by eating it.。

But、What everyone draws、It's also that it's too common.。No matter how well you draw、That alone has no impact。Famous painters avoided persimmons that looked delicious and ripe.、I dared to draw a green persimmon。The Japanese painter Kokei Kobayashi's ``Green Persimmon'' is one of these masterpieces.。

Those who look closely at green persimmons、I don't think there are many people other than persimmon farmers and people who grow them as garden plants for their families.。for the general public、Persimmons are products that are sold at supermarkets.、Painters on the contrary、I have no interest in persimmons that have become (or have become) commercial products as a subject.、still untouched、This is especially true for “blue persimmons,” which have no commercial value.、I discovered the scent of naive art.。
on the other hand、"Ice cream" "Tempura" etc.、"Products" processed by human hands、Today's young people are instead viewing it head-on as a ``new subject.''。Not as commercial art、as pure art。When I first saw a work that had images of ``bento'' and ``ramen'' drawn all over the screen, I was shocked and wondered, ``Do I really want to draw something like this?''、Now even that is starting to feel like a classic.。

Now, what will happen to "green persimmon" as a subject in the future?。Will it eventually cease to be painted as a traditional subject?。The "naive fragrance" felt by painters of the past、I still feel a little...。

From Yasuo Ishimaru's solo exhibition

Yasuo Ishimaru solo exhibition venue - Gallery Natsuka (Kyobashi, Tokyo)。18until the day)
part of the work

I went to Yasuo Ishimaru's solo exhibition.。I went out thinking it was cool, but、Is it due to Typhoon No. 23?、It was surprisingly hot and humid。Is Mr. Ishimaru still the same? You seemed to be doing well and had good physical strength.。As always、This is because the energy emanating from the exhibited works、Compared to last time, it hadn't weakened at all.。

As usual, large works were lined up in rows.、Although it may seem like a simple task at first glance,、If you look closely, it's really delicate.、I can see that you are spending a lot of time。

The motivation for creating、World War II、The existence of Otsushima, which was a base for the Japanese military's special attack weapon "Human Torpedo - Kaiten"、It is said that it is deeply connected to his own growth period.。But、The viewer doesn't need to know that.。Just be honest about the work。

What I feel from the work is “scars”。Not an image of pain、the scar is there。I don't dare to reveal it or show it off.、I'm not trying to hide it、look at the scars there。insatiably、Also, try to sympathize with the wound itself, not simply but deeply.。Such a writer's attitude、feel the gaze。