Category: 生活

I was finally able to upload it。What is the problem?、While facing troubles that I don't understand well、I'm satisfied (as a video producer) just because I was able to do it much faster than last year.。

The number of members has decreased considerably.、I don't know if I can continue after next year.、In any case, I want to do what I can do right now.。I'm sure the members feel the same way.。
New challenges started right away。Another year、To be able to draw more freely、First, let's refresh our mood!

Yesterday (April 28th) in oil painting class.、A sketch session was held at Kasukabe Municipal Onuma Park in Saitama Prefecture.。according to sketch、He also planned our first luncheon.。full stomach、I started out full of energy, but、in a cloudy sky、Eventually, the wind started to pick up (though the cloudy sky itself is perfect for sketching).。It might rain in the evening、Unfortunately it had to end early.。3I drew one, but、These are two of them.。The day before was the "Wisteria Festival"、Wisteria was also blooming in its own way.。

In sketching (but not necessarily limited to sketching)、The key is to describe what attracted your attention on the spot.。There's nothing interesting、You shouldn't just vaguely draw something like that.。If you don't feel that way、It's better to wander around the area without drawing in a hurry.。Then, somehow, something appeals to me from the other side.。the、Try to pick up only the interesting parts、I feel like it would be a good sketch。

sketch below。In reality, there was a fence under construction right in front of me.、The ground in the back and the road in the front、Even when I stretched out, I couldn't see clearly.。Imagine what it would look like without the fence。There's nothing particularly attractive about the building in the back either.。But、The trees in the foreground (a large willow and other trees of different types) are waving in the wind.、I can hear the rustling of leaves。その（少し寒々とした）感じがポイントかなあと思ったわけ。
that's why、建物もことさら正確に描く必要もなく、木々も細かく説明する必要もなく、グラウンドや手前の道も半分想像で足りる。But、全体として「木々の間を抜ける風」を描くには、梢の高さや柳の揺れる角度の方が大事だと思う。それがわたし流のスケッチのやり方。