It's finally time for a solo exhibition.。

ホニュウルイの風景 F6 2011

Finally a solo exhibition。I wasn't even prepared at all.、I'm going to Joyful now and buy some tapes.、I had the lazy nerve to try to put it up by rotating it around the frame instead of a frame.、I am astonished myself.。I haven't had time to even pick up a pen for the past few days (what about this blog?)。

His largest work is ``The Discus Thrower'', which ran for almost 300 issues (it was intentionally exhibited unfinished).。I would appreciate it if you could think about why you are throwing the discus at the venue.。The minimum is a few points of size 4。In terms of time, number 4、6issue takes the most time、The larger the size, the shorter the time it takes to draw.。It's not just this time、It's always the same。I think it's probably my own internal tendencies that lead to this result.。

“Landscape of Honyuului” is one of the exhibited works.。My impressions at this stage are、I actually feel like this might have been the true title this time.。Aside from my thoughts as an author、To everyone who sees it、something positive、negative things、I think everyone has different opinions.。please、I hope you hear it。 2011/12/06

What ends with "Vertigo" the last of the year?

HANA(水彩・部分)2011

A solo exhibition is just around the corner、Because I'm busy and I'm not feeling well.、The last challenge has stopped。

I guess it can't be helped that I'm busy、What bothers me is ``dizziness''。It started suddenly a few days ago in the morning.。

morning、The moment I tried to lift the futon、The ceiling begins to rotate、I fell down on the futon。``You didn't push yourself too hard yesterday, right?'' I thought to myself.。I thought it was caused by the strain on my neck, which has a hernia.。It subsided quickly, but、When I wake up again、The ceiling spins again。

fortunately、Those two times were all it took for the day.、I was nervous when driving the car.。I was worried about what would happen if I suddenly got dizzy.、I managed to finish the work。I don't have a headache though、I feel pressure in my head。When I measure my blood pressure, it's 125-92.。Regardless of the above, the minimum blood pressure is too high.。Normally my blood pressure is around 100-70.。Sometimes the top drops below 100、I'm so worried that I might have low blood pressure.、I was very interested in this 92.。I still get dizzy from time to time (even when I'm sleeping)。As far as I searched on the internet, it's benign.、It seems like it will heal within a few months if left alone.。

That day, I got a call from my brother at home.。I was nervous because there was a serious change in my father's condition.、We finally talked about transferring to a hospital closer to my hometown (until now, going to the hospital itself was、It was physically taxing.)。We decided to talk about various things going forward.。I'm also concerned about my father's condition.、After the solo exhibition ended, I felt a strong need to go to Aomori as soon as possible.。

In rural areas, there is a near critical shortage of doctors and hospitals (as a result, each hospital is overcrowded).、The burden on doctors increases、Full of elderly patients)。Even if I was able to transfer to a nearby hospital.、Without a car, visiting someone becomes a big job.。To Aomori、drive a car alone、have to come back。That in itself is a big burden、What should I do if I get dizzy on the way?、I have new concerns。This year until the very end、It looks like it's going to be a restless year。

3Is the exhibition for the first time in years

個展Dm

Apart from the casual watercolor sketch exhibition, this will be my first solo exhibition in three years.。While planning every year、It's been 3 years since I canceled twice.。Of course, that doesn't mean I didn't create anything during that time.、I really didn't feel like having a solo exhibition.。Even if you come this far、I still feel like I want to stop。The other half is interested in myself。

"Shelter Man" was produced before the Great East Japan Earthquake.。From the word shelter、It reminds me of images from the nuclear power plant accident.、unrelated。my personal、I would like to emphasize again that this was created from everyday sensibilities.。

Recent major works include ``Screaming Man'' (2008), ``Tatsumaki no Man'' (2009), and ``Shinsei No. 5'' (2010).、Connected to "Shelter Man" (2011.A different work from DM)。I think what I'm drawing is a portrait of a giant man (probably myself) or the state of existence.。

In ``The Screaming Man,'' it is not human ``words.''、I drew it because I wanted to scream as a human "voice".、In “Tatsumaki Man” even before drawing、Even while I was drawing it, a huge itch was growing inside me.。What is grotesque in “New Life”? I thought about this by looking at my own physical changes (including aging).。and "shelter"。

The primary meaning of "shelter" is, of course, "a cloak/structure for protection."。The premise is that you must be aware that you are a weak creature.。but、Then the giant、Doesn't this contradict the image of a grotesque and violent "man"?

In Japanese folklore, a giant man named ``Oni'' has horns.、My whole body is red or blue、そのうえ毛むくじゃらのグロテスクな姿であるが人畜の及ばぬ凶暴な恐るべきパワーの持ち主という「人格」が存在する幼い女の子をいけにえにする話は多いがその娘を自分の命より大事にする話も少なくはないそのあたりだけ見ればもしかして私が描いているのはオニなのではないかと実は自分でも感じてくる郷里である青森ネブタの造形も面白い視点を示してはくれる

but、それは牽強付会というものだ私はネブタを念頭に置いて制作したわけではないし世界の民話を勉強してからアイデアをひねったわけでもないだいいちそんなところにちょいちょいと意味をなすりつけては私自身のメンツが立たない自分がオニなら(オニであるがゆえに)哀しいとの共感があるその共感において「新生」と繋がっているのである(美しい女性を私はオニと心の中で呼んでいるおそらく美白美肌は地球の反対側に棲む多くの犠牲の上に成り立っているのだから)私は自分の歴史の中で絵を描いている自分の存在史を描いている私が他の画家と少し毛色が違うのはきっとその辺に理由があるのだろうと最近思う

※美しい女性がオニなら私は何であるのか逆説的に惑うのである世界は悩ましい

Exhibition:at Gallery Keifuu/minami-kosigaya/ phone 0489-89-1899 /11am to 6pm Come on, and talk with me.