2/3I really don't like the original picture of the photo posted on、I was curious so I drew it again。The previous sketch was size 10.、This time it's number 8、I cut the bottom part by that amount.、The face parts are actually a little bigger, making it easier to draw.。
It is common knowledge (or rather,、If I don't do that, I can't draw it)、This isn't necessarily the case with watercolors (though it's a different story when it comes to large-scale watercolor works).。This time I set myself the task of ``drawing with only one brush.''、14It needed to be a size that could be drawn with a single Kolinsky issue.。
Because the details of a person's face are concentrated.、The criterion for selection is whether the brush can draw faces.。In reality, “details” are not just about the face.。If you look at each hair individually, it's fine.、Even the joints of each finger and their wrinkles、Even the way we weave fabric for clothes.、If you try to draw them, they're all equally detailed.。But、There are parts of the painting that don't really matter to the viewer other than the face.、I don't really care if I draw it sloppily.。However、Everyone looks closely at the face with great interest.、We also try to deeply read the moods that are not depicted.。Therefore, the face becomes the standard.。
But、I think it's okay to "make the most of it" when it comes to faces.。If you are particular about subtle expressions, you will want to draw them in detail with a small brush.。Then before you know it、original watercolor、Freedom like leaving it to water、ease is lost。Even creative attempts are pushed to the background.。Rather than that,、nose、I prefer to draw in a way that says, ``All I need is a mouth.''。That was the purpose of “with just one brush”、As expected, the brush strokes were careful (redrawing?)。
