倉庫から

「海峡」 1996 油彩 160×130cm

I was working in the warehouse organizing the works and peeling them from the wooden frames.、I pulled out an old oil painting。I thought it had been over 30 years since I stopped painting in oil.、Sometimes I end up drawing。The state of preservation was good.。

Looking at it now、There are unevenness in the image, etc.、Although the degree of completion is not high、He has the frankness of drawing images as they come to mind.、I feel youthful and carefree in my touch.。I had also studied some classical painting.、I think that side of her is clearly showing.。yes、In short, it's a picture that's honest to me.。

These days it is 3m、4Including the masterpiece called m.、I used to draw 120-150 pieces a year.。I don't have any orders at all、I draw almost from morning until night.。It must have been going on for several years。I'm hopelessly bored、I guess there was nothing else to do。During the second big move、I remember tearing out hundreds of pictures from each one and making a pile of them.。Relics of a nostalgic era。

 

漂う世界

漂うひと

今年後半にはまたエルニーニョ現象が起きそうだという数年後の日本では生まれる人の倍の人が死に間際のケアが不足するらしい。on the other hand、世界の人口は80億が目の前に迫り食料・エネルギーを巡ってさらに取り合いが激しくなり一層偏ってくる世界中で紛争が起こって難民が右往左往しそのことがさらに紛争を引き起こす企業世界での無人化は一層進み若いひとの大半は職につくのをあきらめる

何を考え何をすればいいのか何が正しいのかもう誰も分からなくなっていると思えばそんな風にも見えてくるじっと立ち止まって考えることも難しい時代「アラブの春」などどこへ行ったのかもう誰も口にさえしなくなった

 

春めく−2

 

 

春めく−2

the past few days、まるで本当に春が来てしまったかのようだけれどこのあと再び冬に逆戻りすると言うまさに三寒四温

急に暖かくなるとすぐ桜の話題がマスコミに持ち出されるそうやって一年中釣られて足元を見るのを忘れてしまうのがお互いに幸せなのかも知れない