S-Keith 1 is S-Keith from around January this year.。S-Keith 2 today (8/12)。At a glance、1Isn't it definitely better? In S-Keith 1, the relationships between the motifs are still quite different.。For the time being、I feel like I just have to draw it.。
Regarding 2, I have a pretty good idea.、The pictures are descriptive and not interesting at all.。
Comparing the use of space、1seems to be much more visually reasonable.。After all, a picture is something you see with your eyes.。From the logical connection of the depicted content (motif)、The thickness of the line、color contrast、The difference in the power of such visual elements。
I have at least two ideas、For the first time, E-skies starts from there.。This is still at the level of an idea。be logical and、Balancing the effective use of modeling elements。Esquis is the one who fills that in.。
Shosenkyo (water flow)playing in the riverPlaying on the beach
Variation in painting means change of phase.、Try changing the aspect (appearance/shape)。There was a watercolor painting class where this month's theme was "expression of water (transparency)".、I also drew a few things as a demo production.。 The first point is close to the actual situation、2The point is to put the child there.、The aim was to express the coolness of the riverside in an experiential manner.。3The goal is to extend the phase change to the seashore instead of the river.、I envisioned the feeling of playing on the beach in an urban setting.。While drawing、I gradually remember the difference in the strength of light rays between rivers and the sea.。Even at this age, I still remember the feelings I had when I was a child.。 This kind of attempt is something that many people actually do.、It's a great way to improve your compositional skills in painting.、I think there are probably an overwhelming number of people who don't bother to do it.。It is not enough to just draw one piece with one motif.、You will have to constantly search for motifs.。Once upon a time、to the classroom、There was always someone who drew themselves on the screen.、Easy to imagine variations、I thought it was a good idea。
clematis bloomingpen、is 15 years since the Great East Japan Earthquake
I bought two pots of clematis as a motif.。bloomed every year、large flower、A velvety blue clematis、For some reason he doesn't show up this year。While walking, I sometimes catch glimpses of clematis elsewhere.、I feel like the one we had at home was the best.、quite disappointing。
Last 2-3 years、I've been spending a lot of time on CG sketches and video production.、The number of works that remain in our possession as physical objects has decreased considerably.。Even CG is definitely a work.、From the feeling that I have been drawing on canvas and sketchbooks even though I have been treated as a nuisance for many years,、Somehow (no、I feel like it's quite unsatisfactory。 There's nothing special about it intuitively just because it's drawn on paper.。But、There is definitely one here、There is something like a sense of security。It's easy though、For now, does it feel like an "original"?。Even with CG、Although it is possible to create “original” works such as NFTs,、I still somehow rely on the equation that hand-drawn = original (even if the meaning has changed over time)。Is it just a generation gap?。
if、If the equation "hand-drawn = original" remains unchanged、From the unchanging path that we have followed through many decades of struggle,、I guess I'm a little separated。At this age、I've only just taken a step into the world of CG.、At that time, I intuitively realized that this equation would no longer make sense.、I have not forgotten that I had a small determination to go astray.。
Original hand-drawn items too、Original by CG too、socially anyway、For individual creators, it may not actually be that different.。Even so、Looking at the reality that modern paintings still cost hundreds of millions of yen,、Original = exclusive、I feel like I can see firsthand the strength of the equation of human material desire.。
