Category: Gallery

There are various things that viewers look for in a picture.。Some people say they like something that looks just like the photo.、Some people say they don't get stuck if it looks like the photo.。Others don't need a form in the first place.、They say it doesn't even need color。Displaying the canvas as it is、Some artists simply create scratches and stains and call it a "work."。I see、That's certainly true too.。If the viewer “finds” something there。

I never thought about that when I was a kid.。I never thought of drawing something exactly like the real thing.、``I want to be able to see what's in my head with my eyes''、There is no doubt that I strongly wished for it。

At times like that、an adult makes a fuss。“Try drawing this.”。Because no adult had any imagination.、like the picture、In other words, there was no more convincing method than drawing it realistically.。I'm a kid, so I didn't think about it logically.、I knew it intuitively。
That's it、I drew various things。Adults were especially amused when drawing banknotes.。Because banknotes are of high quality、It was worth the challenge for the drawing side as well.。Observation skills are required to draw exactly like them.。And that's not from the drawing side either.、Standing on the viewer's side。Even as I grow older, those (unimaginative) demands never end.、Therefore, even now, we cannot afford to abandon the realism that is sufficient to meet this demand.。

Many people enjoy the three-dimensional feel。I really don't understand why。maybe、It must be a strange feeling to see something three-dimensional even though it is flat.。From the drawing side、It's not like I'm creating a three-dimensional effect or anything.。Simply、見えたもののデータを或る美術的関数の中に入れれば、こうなるだけのことだ。創作力というのは、その関数以外のこと、描いているとそんな風に思えてくる。

For the first time in a while, the maximum temperature will drop below 30 degrees.、It's a little far away、There's not much distance to walk、I went to the Saitama Museum of Modern Art (Saitama Kinbi) in Kita Urawa.。

If you step outside、There's something lying there。The theme of Chikomi Saitama's MOMA collection exhibition was apparently "travel".。The picture above is a sketch by Meiji painter Kurata Hakuyo while he was traveling.。small、It's a sketchbook the size of a modified postcard.、more thin、It's drawn on rough paper like a croquis book.。It is so neatly drawn that it can be called a complete work in itself.。Not limited to painters、Why are all artists so loyal to their work?。first、I'm touched by that。

The picture below seems to be from a collection from the past few years.。Yukari Bunya's "Seeing an empty landscape" section。This is what it looks like as a whole、I'm not sure what exactly is being drawn。I don't really understand、For some reason, it seems like only very specific things are drawn.。The straight lines are neat (perhaps with a coracoid or something?) like a draft.、Rather, it is a draft (I failed to confirm whether the paper was Kent paper or not).。
Looking further、They were supposed to have drawn it exactly as they thought of it (which is probably the case).、A free hand is not just a free hand.。Sometimes it looks like he used a cloud-shaped ruler or something.、There is no such thing as a sloppy line.。The thickness of the lines seems to be made as uniform as possible.。
The urban landscape that we normally see is、Although it looks cluttered at first glance、The architecture and roads that can be seen there、Structures such as bridges、Furthermore, even the cars, trains, and advertising billboards that run there、Each one is (or should be) made of carefully planned and designed items.。all of them、In the process, I realized that there was actually not a single thing that had not been drafted at least once.。I feel like I'm looking at such a ``reality of the landscape of planning''.。

Without drawing anything that makes you want to see it、This is certainly a modern day landscape.、makes me feel。(The admission fee of 200 yen is cheap.。(I think it's running until mid-December)