three-dimensional sense

手前が水彩で描いた絵奥が実物(制作時はもっと上からの視線)

見る人が絵に求めるものは様々ある人は写真そっくりなものがいいと言い或る人は写真のようじゃ詰まらないというまたある人はそもそもかたちなど必要なく色さえ無くていいという実際にキャンバスをそのまま展示したりそこに傷やシミを作るだけで「作品」という作家もいるなるほど確かにそれも有りだ見る人がそこに何かを「見出す」ならば

子どもの頃はそんなとは全然考えたこともなかった実物そっくりに描きたいと思ったこともなかったが「頭の中にあるものは眼に見えるようにしたい」とは強く願っていたのは間違いない

そんな時おとながちょっかいを出す「これを描いてみろ」どのおとなも想像力というものが無かったから写真のようにつまり写実的に描いて見せるより説得力のある方法はなかった子どもだからそんなことを論理的に考えたわけではないが直感的に分ってしまった
 それでいろいろなものを描いた特にお札を描くとおとなは面白がった紙幣はレベルが高いので描く側にも挑戦し甲斐があったからそっくりに描くには観察力が要るそれも描く側からではなく観る側に立っての大きくなってもそれらの(想像力に乏しい)要求は絶えることがなく従って今でもそれに応えるだけの写実力は捨ててしまうわけにはいかない

立体感を喜ぶ人が多いなぜだか本当はよく解らない。maybe、平面なのに立体に見えるのが不思議な感覚になるのだろう描く側から言えば別に立体感など作っているわけではないただただ見えたもののデータを或る美術的関数の中に入れればこうなるだけのことだ創作力というのはその関数以外のこと描いているとそんな風に思えてくる

blue pomegranate

Yesterday 18:00 Uploaded

Uploaded yesterday。I was able to upload it the day before yesterday.、I postponed it for a day so I could look at it again and made some minor changes.。

The first pen sketch in this video has a really nice sound of the pen running through the sketchbook.、I tried really hard to preserve that sound, and it probably took a long time.。But in the end I had to scrap everything.(>_<)

Photographed in a corner of the atelier、I'm editing、There is a lot of noise outside while filming.。I'm so absorbed in drawing that I can barely hear the cars.、Let's start editing、It makes me so sad to realize how much noise we live in.。truck air brake、The sound of the engine blowing、Shutter shaking with wind pressure。If you want to turn off even just a particularly loud sound.、The important image became shaky.。My heart is torn to shreds、I can't bring myself to restore the broken images anymore.、throw away all audio、I managed to upload it all together.。

When I opened it and looked、After all, the number of views is not increasing。Although it may have been uploaded on a weekday.、I still think it's an unattractive video.。Even if it's hard to hear、I think it would have been better if it had better sound.。I want a soundproof studio.。If it's a big city, there's probably plenty of rental space.、It's not a small town.。The theme was difficult too.、double、I was disappointed in Mie.。

I went to Chikami Saitama

Sketch of Kurata Shirayou
Yukari Fumiya “Seeing an empty landscape (part)”

For the first time in a while, the maximum temperature will drop below 30 degrees.、It's a little far away、There's not much distance to walk、I went to the Saitama Museum of Modern Art (Saitama Kinbi) in Kita Urawa.。

If you step outside、There's something lying there。The theme of Chikomi Saitama's MOMA collection exhibition was apparently "travel".。The picture above is a sketch by Meiji painter Kurata Hakuyo while he was traveling.。small、It's a sketchbook the size of a modified postcard.、more thin、It's drawn on rough paper like a croquis book.。It is so neatly drawn that it can be called a complete work in itself.。Not limited to painters、Why are all artists so loyal to their work?。first、I'm touched by that。

The picture below seems to be from a collection from the past few years.。Yukari Bunya's "Seeing an empty landscape" section。This is what it looks like as a whole、I'm not sure what exactly is being drawn。I don't really understand、For some reason, it seems like only very specific things are drawn.。The straight lines are neat (perhaps with a coracoid or something?) like a draft.、Rather, it is a draft (I failed to confirm whether the paper was Kent paper or not).。
Looking further、They were supposed to have drawn it exactly as they thought of it (which is probably the case).、A free hand is not just a free hand.。Sometimes it looks like he used a cloud-shaped ruler or something.、There is no such thing as a sloppy line.。The thickness of the lines seems to be made as uniform as possible.。
The urban landscape that we normally see is、Although it looks cluttered at first glance、The architecture and roads that can be seen there、Structures such as bridges、Furthermore, even the cars, trains, and advertising billboards that run there、Each one is (or should be) made of carefully planned and designed items.。all of them、In the process, I realized that there was actually not a single thing that had not been drafted at least once.。I feel like I'm looking at such a ``reality of the landscape of planning''.。

Without drawing anything that makes you want to see it、This is certainly a modern day landscape.、makes me feel。(The admission fee of 200 yen is cheap.。(I think it's running until mid-December)