Category: Gallery

美的価値感

    宇佐美圭司（参考作品）

Located in the student cafeteria of the University of Tokyo (basement of Yasuda Auditorium)、The co-op has thrown away Keiji Usami's masterpiece (4 x 4 m).、Disappointed from all quarters。

This masterpiece is、To commemorate the 30th anniversary of the founding of the University of Tokyo Co-op.、It seems that the co-op itself commissioned Mr. Usami to create it.。

Due to facility renovations on the university campus, the cafeteria will also be relocated.、Naturally, one of the topics of discussion was what to do with the work.。but、After all, it is the owner、The university co-op felt troublesome and threw it away.、That's what it means。There is no need to consult an expert regarding relocation or preservation methods.、Their aesthetic values ​​are reflected in the way they (secretly) discarded items.。I thought it was a boring picture.、That's what it means。

Moreover,、A student asks, “What happened to that picture?”、In response to questions from faculty and staff、It also became clear that he had told a sloppy lie.。I feel like the government's response in the Diet regarding Morikake is similar.、only in that respect、I was convinced that it was the University of Tokyo.。

新しい誘惑

Flowers will bloom this year as well、No one remembers the flowers from before.

Background of Ukiyo-e prints? I have always had the frustration of not being able to read the words written on the、At this time, it was a win-win situation.、I started studying hentai kana.。Although I was prepared (because it is not a foreign language to begin with),、If you just want to read、You can read it easily if you remember the basic ABCs.。Common people in Edo could basically only read hiragana.、Therefore, most of the characters in ukiyo-e can be read.、Achieve immediate objectives。

But、I can read it, but I don't understand what it's about.、There are a lot of。For example, even a single tool used in the Edo period、For things that are no longer in use、I don't even know it's a tool。This is because there is no knowledge of the culture and society of the Edo period.。

It's troublesome if you want to know that.。I'm getting deeper and deeper。this is dangerous。If we don't finish it somewhere, it will be a big problem.。but、Danger almost always goes hand in hand with interest.。The first sip will turn you into a heavy drinker before you know it.。

８０回目の楽しみ

スケッチの楽しみ方に似ているようだ

It has been several years since I started writing haiku.。The haiku meeting held once a month reached 80 times yesterday.。There were times along the way when I came up with my own ideas.、mostly by inertia、Even now, most of the ``fabricated haiku'' made the day before the haiku meeting are still used.。introspection。

17The characters are、Lately, I've been feeling really cramped.。The basic understanding of haiku (although there are haiku without seasons) is、One seasonal word is supposed to be included in each poem.。The basic rhythm is five、seven、five。Put this on top、Naka、If you call me Shimo、Many have seasonal words at the top or bottom.、That connection usually consumes 5 characters.。

There are 12 characters left、There are rhythmic constraints、The words that can be used are narrowed down.。So analogy、more similar phrases。Or rather、I will be forced to do so

but、From the number of colors in a painting、many words。So that the imagination of paintings with a limited number of colors never runs out.、Haiku also depends on the selection and arrangement of each word.、The content conveyed also changes subtly (it seems).。If you write it like this、It sounds like there is only a professional way to enjoy it.、Not really。

Well then、Is haiku really fun?、When asked、I don't really understand。Fabrication also has its own pain.、It seems like it would be a good idea to stop、I don't even dare to stop it。maybe、There is some sense of self-satisfaction somewhere.、Maybe that's enough for real fun.。