Author: Takashi

for the viewer、A catalog of shapes and colors that you have already acquired? A certain degree of discrepancy between the two arouses interest and curiosity.、Depending on the content of the discrepancy, it is divided into "likes" and "dislikes".。If the deviation is large, it can sometimes be a shock.。

This overlap is also done through words (even if we are not conscious of it).。The amount of vocabulary is a certain handicap.。For example, if you don't know the word "purple", even though you can see it with your eyes,、it cannot be used as an expression。Because the word "purple" is the key (literal keyword) that opens the color drawer.。

When thinking about shape and color、It is possible to devise ways to devise a gap with those that are natural reproductions.、single shape、I think this is more important than the color scheme.。

Shape and color are central to visual information。Therefore, it is natural that painting requires ingenuity and research.。That's the "common sense trap"。

actual、People only see shapes and colors to the extent that they "feel like that."。So what are you looking at?、your own images and memories、つまり自分自身の反映とそれの「ズレ」を見ているのではないか、と最近考えている。

違和感の無いものは見えない。ズレが大きくなると感覚が鋭くなって、「絵」が見えてくる。ズレはまた、言葉の問題でもあるようだ。