I drew two versions as part of a demo production at a watercolor class.。The motif is Kamakura's national treasure "Enkakuji Sanmon"。The challenge is "undercoat effect"。Even if the paper size is the same、Depending on whether you draw the object large or small、I could see at a glance that the abbreviations were more different than I had imagined.③。
① is close to reality、② is a creation based on the sense of distance。。The actual Sanmon gate is right next to the top of the floor.、I can't stand this sense of distance。The sense of space can change so much just by changing the proportion to the person.。Is the production time about the same?、① has a more detailed depiction of the area under the eaves.、It may be a little long。
I have already drawn many pictures of this Sanmon gate.、I feel like every time I draw it, I start to understand its beauty little by little.。I have to go again、It also makes me feel。and (even in pictures)、Every time I draw、Human senses are amazing、There is a new discovery that。While there are such delicate architecture even in Japan,、Dynamism of flame pottery from the Jomon period、The deco-deco baroque style of Nikko Toshogu Shrine? Easily surpasses architecture etc.、There is a much wider range。Expand your horizons to the world、It may be full of even more outrageous things.。
What impresses me is、These things were never intended for "beauty".、This person is building his "own" snowboard "road"。The Sanmon Gate of Engakuji Temple is currently designated as a ``national treasure.''、The people who were involved in this construction at the time、This Sanmon gate that we are currently building、I don't think they built it with the intention of it becoming a national treasure in the future.。Still、そのすべての過程において「ここはこうした方が見栄えがいい」と感じ、その感性に合わせて合理的に木を切り、削っていたに違いありません。ただそれだけのことですが、それが凄い。
「美」なんて、きっとそんなもんだと思うんです。And、それが「決定的」だ、とも思うんです。「美」を作ってやろう、しかもあろうことか「感動させたい」なんて現代人は言いそうですが、おこがましいにも程がある、とわたしは思うんですけどね。Ah、Also、脱線しちゃった、sorry (>_<)。
