晨春会’12展は終了しました。کسانی که برای دیدن آمده اند、خیلی ممنون。کسانی که به دلیل شرایط نمی توانند بیایند、من سال آینده بهترین کار را خواهم کرد ، بنابراین لطفاً بیایید و آن را ببینید。به شخصه ، من در "نمایشگاه گوچی" در گالری Seiko Do ، Ginza 1-Chome ، یک مورد بزرگ و کوچک را به نمایش می گذارم.。اگر این را هم دیدم سپاسگزارم。
Shin-syun-kai ’12 exibition was closed last Sunday. Thank you very much for your coming there. And then I’m going to present 2 works for “Gochi Exhibition” at Seikoudo gyarelly in Ginza 1 tyo-me next month. I will be happy for your coming there too.
وی نزدیک به 40 سال است که آثار اصلی را در Tempera و آکریلیک منتشر می کند.、صادقانه بگویم ، من این روزها از آبرنگ ها لذت می برم.、جالب。نقاشی آبرنگ به عنوان یک کودک دشوار بود、بعد از بسیاری از شکست ها、سرانجام نقاشی های آبرنگ را ترک کردم、最近になってやっと難しさへの対処法？が分かってきたような気がする。子どもには水彩やアクリルより、むしろ油絵を描かせるのが一番良いと思うのだが、服や教室を汚すとか、重いとかお金がかかるとか、今でも貧しい時代のままの精神環境は変わらない。偏差値の高い高校、大学という精神風土も一向に変わる気配はない。芸術に深い興味はない人がほとんどだからだろう。
I have been taking with tempera ,acrylc or oil to painting pictures for 40 years more. However, I have found able to enjoyed taking water colours than the other recently. Although I had retired from water colour painting since it was too difficult at my child days, I feel that I might get the way to handled various situation on water colour paintings. I think painting pictures with oil is easier for glowing artistic mind for children than the other. But most parents seem didn’t, because it must be dirty their cloth and room, heavy for them and expensive for parents etc. Besides most parents also wants to make their children to getting enter hi-level school is more important than the Arts for their children’s future.
子どもには水彩画は少し難しい気がする。ただ自分が下手なのだと苦しみながら、結局絵を描く楽しみから遠ざけられてしまった人々に私は深く共感する。و、今度こそじっくり水彩画を楽しんでもらいたいものだと、心から思っている。
I feel painting water colours is difficult a little for most children. I feel undarstand deeply with the people who have misundersgtanded of their poor hand to painting pictures and then quit it at the end. So I hope they will enjoy heartly in this time .
